![Double Ghost]( "Double Ghost")
Double Ghost, 2022. Fabric, marker, graphite. 72x46x20 in.
![Hand in hand]( "hand-in-hand-detail-web")
Hand in Hand, 2021. Quilt, rice filling, wood, paint. 30x20x17in.
![Sugar figuirine]( "Sugar-figurine-detail-web")
Sugar Figurine, 2022. Porcelain figurine, fondant. 10x7x7 in.
![Chapter]( "Chapter")
Dark Chapter, 2022. Book, felt. 37x24x16 in.
![Memory Props]( "Memory Props")
Memory Props, 2022. Clay, styrofoam, fondant, candles, paint, felt. 45x48x36 in.
![Wusupdoc]( "Wusupdoc")
Wusupdoc, 2019. Clay, paint. 12x11x2 in.
![Milk Jug '76]( "Milk Jug '76")
Milk Jug '76, 2019. Clay, paint. 12x8 in.
![Cake]( "Cake")
Cake, 2019. Styrofoam, fondant, candles. 12x6 in.
![Clock & Book]( "Clock & Book")
Clock & Book, 2022. Clock, book, quilt, felt, thread. 27x120 x74 in.
Cognitive psychologist George A. Miller famously proposed in 1956 that short-term memory can hold about seven objects, plus or minus two—a concept that feels both precise and deeply human. This idea resonates with the concept of memory objects in this room. I’m interested in how certain objects—or even dream images—carry the weight of memories, anchoring them to the physical world and shaping how we understand the past and who we are.
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